Now this result is always going to end up being a quarter note in ms relative to the tempo of your song. What we’re going to do, is take the bpm of the song, and divide 60,000 by that bpm. The reason this number is always used, is because there are 60,000 ms, in one minute. Now, When calculating the release time of your compressor, there is one number that always stays the same, and that number is 60,000. For me not so much, so I have to have mine open here. – in addition to opening your session, your going to need a calculator, unless you’re just really good at math, and can do this in your head. Furthermore if you have a mix that’s already completed, or one that you’re just currently working on, and you’d like to hear what it would sound like mastered, please send it to us at where you can get a free mastering sample of your work. So let’s get started, but before we do if this video or any of the other Sage Audio videos have been helpful for you feel free to subscribe or click the link for notifications. In other words you can determine, to the measure of a whole note, half note, quarter note, when you want an attenuated signal to reach its original amplitude. This technique will also help to clean up your mixes, by allocating specific times that a signal’s amplitude will increase. Now by musically I mean that the release time corresponds to the bpm, or the beats per minute of the song with which your working, and in turn contributes to the overall musicality of your mix. In this video we’ll describe how to set release times for compressors in a way that makes more sense musically
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